Orleans House Gallery

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If you’ve ever thought about visiting Twickenham’s Orleans House Gallery, now is a great time to go while it is hosting Arcadian Vistas: Richmond’s Landscape Gardens. Given that the English landscape garden movement was first nurtured here along the banks of the Thames, it’s hard to imagine a more fitting locale for this exhibition.

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Neatly divided into sections focusing on some of the more influential gardens, gardeners and garden designers of the movement – including Alexander Pope, Horace Walpole, William Kent, Kew Gardens and Chiswick House – the exhibition features mostly illustrations and paintings from the Richmond Borough Art Collections, nicely supplemented by some loans. A smaller collection of objects is also on show, including John Serles’ guide to Alexander Pope’s garden and grotto, alongside A Description of the Villa of Horace Walpole (describing nearby Strawberry Hill).

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Two large paintings depicting Arcadian Thames – Leonard Knyff’s A View of Hampton Court and Peter Tilleman’s The Thames at Twickenham – are also highlights. Don’t miss the gallery upstairs, where slightly more esoteric topics – follies, Chinoiserie, orangeries, water features and grottos – are featured, accompanied by some lovely examples of blue and white porcelain.

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Sadly, Orleans House’s beautiful Octagon Room, a few adjoining buildings and the Stable block out the back are all that remains of what was once an extensive estate built in the early eighteenth century for James Johnston, Secretary of State for Scotland. The Octagon Room was actually a later addition, designed by James Gibbs (who also designed St Martin-in-the-Fields church) as a separate garden entertainment space for Johnston. The house acquired its name after it was rented to Louis Philippe, Duc d’Orleans, during his exile from France.

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After passing through a number of hands, the main house was finally demolished in the 1920s by a firm of gravel merchants. They failed to find any gravel on the site. Today, Orleans House Gallery and its Octagon Room are worth a visit – their interesting program of exhibitions is free and open to the public on most afternoons except Mondays (check online here, as times vary throughout the year). Marble Hill House and Grotto are just next door, and Ham House is but a scenic ferry ride across the Thames.

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Criminal London

Criminal LondonSurely a sign of a good guide book is that it helps you discover new places and inspires you to visit them. And this being the case, Kris and Nina Hollington’s new tome on Criminal London must be a good one indeed as it’s already spurred the Londonphile to set off to explore a new site. And so this is the book review that turned into a blog post…

Criminal London: A Sightseer’s Guide to the Capital of Crime – to be published on March 14th – is an extensive (336 pages!), well-researched guide to the darker side of London, which is well illustrated with strong photographs (and the odd drawing of sites no longer in existence). It includes a nice mix of the historical (Bedlam, King’s Bench Prison), the gruesome (good old Jack and numerous other spillers of blood), and the downright odd (The Murder Bag – actually both gruesome and odd) – with a touch of espionage thrown in for good measure (Litvinenko). Neatly divided into south, east, north and west London, all up 124 sites are covered, along with three extensive walks following in the footsteps of the Krays, Arthur Conan Doyle and Jack the Ripper.

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As soon as I saw number 11 (south) I knew I would be heading off to visit what remains of Southwark’s Marshalsea Debtors’ Prison. Marshalsea is most famously known as the place of incarceration for Charles Dickens’ family when father John could no longer pay the bills, an event which meant a twelve-year-old Charles had to take work in a blacking factory. Dickens’ time visiting his family (who were all staying at the prison, as was the practice) and the lengthy walk he took across London each day to do so, had a lasting impact on the author, to say the very least. These experiences inspired his social conscience and the prison itself features in Little Dorrit. Dickens later secured accommodation closer to his family, in nearby Lant Street, where a plaque commemorates his stay.

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While all that remains of the complex – which closed in 1842 – is the south wall, it is still an evocative place, with its old bricks and lamps (I doubt the authenticity of these as they now light the alleyway leading – rather appropriately – to Southwark Coroner’s Court, but they look good). Two memorials inscribed on the ground in the alley commemorate the site and John Dickens. The wall is today situated within St George’s Churchyard Gardens on Tabard Street - a former burial ground that is now decorated with some of the old gravestones.

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Kris Hollington has been writing on London crime for a number of years – and his expertise really comes through in this guide. It’s already had me out on the streets exploring London’s darker history and will hopefully leave you similarly inspired. Criminal London is published by Aurum Press and will retail at £10.99.

WIN A COPY: And thanks to Aurum I have a copy to give away! Just post a comment below or send a tweet to @londonphile to enter. Competition closes 1pm Saturday 30th March 2013. A winner will be selected randomly and contacted directly.

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Eel Pie Island

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Just twice a year Twickenham’s Eel Pie Island opens its doors to the general public when the normally private island holds open studio weekends for its artists. I availed myself of the the opportunity to visit last weekend for the pre-Christmas opening and crossed the bridge to this most exclusive island, which boasts 26 artists’ studios, only 50 or so houses and around 120 residents.

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It’s thought that the island was originally in three parts and may have once been connected to Twickenham by a prehistoric causeway. The footbridge which now connects the island to the mainland was only built in 1957. Once across and on dry land again, one main walkway (pictured above) runs much of the length of this very narrow island, with houses, studios and boathouses along either side. Housing styles vary immensely – from the cute and rustic to the surprisingly modern – and there was even a new house in the process of construction and one to let in case you’re tempted to move in. Despite its extremely narrow nature, views were only available back across the Twickenham side of the river (see below) during the open studios as private houses line the other side.

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Eel Pie Island has a long history as a place of leisure and entertainment – its name derives from the pies once served there to visiting boating parties and day trippers. Sadly this taste sensation died out on the island along with its eel population. The Eel Pie Island Hotel was long a top musical destination – particularly for jazz and blues – and also saw one David Jones play there before metamorphosing into David Bowie. The hotel closed in 1967 when the owner was unable to afford necessary repairs – squatters moved in and it has been claimed that by 1970 it had become the largest hippie commune in the UK. The hotel burnt down in mysterious circumstances in 1971 while it was being demolished.

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The island is also home to both the Richmond Yacht Club and the Twickenham Rowing Club as well as working boatyards. In keeping with this boating theme, several of the artists studios are housed in old boats, including one with a fantastic roof terrace composed of the old ship’s deck. There are nature reserves at both ends of the island, including a bird sanctuary, but these are not accessible to the public.

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Open Studios events are held twice a year, generally once in summer and in the lead up to Christmas. Keep an eye on the Eel Pie Island Artists website for future events. They’re free but do bring some cash as the artists don’t have credit/debit card facilities.

For more historical detail and images see Twickenham Museum’s Eel Pie Island page.

2013 update: another open weekend will be held on Saturday 22nd & Sunday 23rd June from 11am until 6pm.

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The view from Richmond Hill

If you had to guess the location of the only view in England that’s protected by an Act of Parliament, somewhere in the Lake District would possibly spring to mind, or perhaps the white cliffs of Dover. In fact it’s right here in London – the view from Richmond Hill. Sir Walter Scott (Heart of Midlothian) and Wordsworth (Sonnet June 1820) wrote about it, and Reynolds and Turner painted it. The view from the hill looks up the Thames towards Twickenham, and includes tiny Glover’s Island. And all to be found in zone four no less!

Turner – who lived nearby at Sandycoombe Lodge for a number of years – returned to this theme time and time again. A number of his paintings and numerous sketches show this view, or views of Richmond Hill itself – many of which can be easily viewed in digital format here on Tate Britain’s website. Reynolds lived on Richmond Hill itself – his 1788 work The Thames from Richmond Hill, can be seen here.

My photographs of the view were taken from the top of Terrace Gardens, which itself is also Grade II* listed and is on land that was originally three large private estates. The local authorities had been buying up various properties – including Glover’s Island – over the years in order to preserve and protect this area and its view. The view from Richmond Hill was officially protected in 1902 by an Act of Parliament known as the Richmond, Ham and Petersham Open Spaces Act. The National Trust took over the protection of the Petersham Meadows (at the bottom of the hill, on the left of these photographs) – and its languidly grazing cattle – in 2010.

Nearby: You are indeed spoilt for choice in Richmond and surrounds. Next to Richmond Hill is the lovely Richmond Park (pictured below), where you can watch wild deer roam and take tea in Bertrand Russell’s childhood home, Pembroke Lodge. Turner’s old house, Sandycoombe Lodge, will re-open for visits on the first Saturday of the month in April 2013. Nearby grand houses include Ham House (open some weekends in winter) and Marble Hill House (closed until late March 2013, but you can still visit its grounds and grotto).

Update: Written in Soap

Given that it’s now over three months (yes, a quarter of a year, where did it go?) – and we’ve had some pretty inclement weather in that time – I thought it was high time I made good on my promise to keep you updated on the progress of the soap statue in Cavendish Square. To briefly recap, artist Meekyoung Shin created a statue made from soap of the rather unpopular Duke of Cumberland – to fill the plinth that has stood empty in the square since the original was removed in 1868.

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Shin’s piece was unveiled back in July and will be on display until 30 June 2013, weathering whatever nature throws at in in the meantime. You can probably imagine my surprise when on approaching the statue there at first appeared to be no change at all. A closer inspection, however, revealed some extra cracking along the hind and one of the hind legs – some cracking was already present when I visited in August. Part of the soap is breaking up around the top of the tail – probably the most obvious new sign of decay – and there are a couple of darker marks elsewhere that might be parts of the underlying metal base showing through.

But all in all horse and rider are in excellent condition considering. The mottling of the colour was already present on my first visit and is probably due to the nature of the soap itself. The major difference to report is that a sign has since been placed next to the statue, explaining the project. This actually constitues a significant improvement, as due to its realistic appearance many visitors to the square seemed unaware of the unusual nature of the statue in their midst.

You can view my original post about Written in Soap here.

Read more about the project at: http://www.writteninsoap.com/

Vale of Health

Despite its name and current rarefied status, Hampstead’s mini-neighbourhood the Vale of Health actually started life as a bog variously known as Gangmoor or Hatchett’s Bottom – and was later home to factories, fairgrounds and laundering operations. It’s come a long way since – it is now said to be one of the most expensive residential areas in the world. It’s certainly one of the most exclusive, being composed of just a small hamlet’s worth of houses (and absolutely no amenities) entirely surrounded by Hampstead Heath. And while its name might suggest a former health spa or some such, the reality is that it probably originated as a euphemism or an invention aimed at changing the area’s tarnished image.

Please note the dog in the window.

Certainly the now purely residential nature of the Vale of Health was not always so – along with the odd factory, the area was once particularly popular with day-trippers (especially after the railway came to town) and was home to tea-houses, boat rides, grottoes, arbours and a fairground. Though the merry-go-rounds and slot machines were packed away some time ago, the legacy of these more giddy days continues with the existence of what would otherwise have been one of the least likely caravan parks in London, which abuts the Vale along one edge. Today it is still inhabited by fairground employees, and has been owned by the same family for over a century.

I first stumbled across the Vale of Health by complete accident while exploring Hampstead Heath. I’d remembered it as a quaint semi-village full of white houses. This recollection was only partially correct  - there are indeed a number of white residences but not exclusively so and these share space with two more modern apartment buildings. These flats were built on land once occupied by the two hotels in Vale of Health and have a lovely setting over the pond on one side of the settlement (see the before and after images below). Building in the Vale was severely curtailed in 1872 when the Metropolitan Board of Works bought the heath, limiting construction to the existing area.

By 1890 there were 53 houses in the area – and it’s much the same today, with the residences strung out along the one main road (called Vale of Health), an unnamed side road (where the apartments are) and a series of interconnecting alleyways behind these. It is a fascinating little area to explore or stumble across, with an unusual history and a number of listed buildings. Two blue plaques can be found for previous residents DH Lawrence and Rabindranath Tagore. It’s well worth a detour when you’re next rambling across the heath.

The Vale of Health can be reached via East Heath Road. The closest tube station is Hampstead Heath on the northern line.

Book Review: The Regent’s Canal

Image: David Fathers, ‘The Regent’s Canal’, Frances Lincoln

One of the best aspects of David Fathers’ new guide to the Regent’s Canal is the way that it clearly brings together what can otherwise seem like a quite disparate system of canals that run through London. This process commences from the very start of the book, with the inclusion of a map showing the full extent of these waterways, from Maida Vale’s Little Venice to Olympic Park. As the way the Regent’s Canal links up with the Hertford Union Canal, the Limehouse Cut and the River Lee Navigation is not always immediately obvious, this guide helps facilitate exploration of what is a fascinating and diverse – and often over-looked – route through our fair city.

Image: David Fathers, ‘The Regent’s Canal’, Frances Lincoln.

Author David Fathers trained as a graphic designer and now works as an illustrator, so it’s no surprise that his book is full of delightful illustrations and images and has an attractive yet practical layout. Every page follows a section of the waterways across London from west to east, with the closest tubes or rail links clearly marked. Fathers doesn’t just stick to the major points of interest either – fascinating historical snippets and glimpses into the lives of famous residents are also included. For example, the house where playwright Joe Orton was murdered is listed, as are details about the accidental explosion of the Macclesfield Bridge (near Regent’s Park) in 1874 – all of which makes for a pleasantly idiosyncratic guide.

The guide’s handy size also means that it is easily carried with you on the trek you should now be inspired to take along London’s waterways. The Regent’s Canal: An Urban Towpath Route from Little Venice to the Olympic Park is published by Frances Lincoln on 4th October 2012 – just in time for the 200th anniversary of the first cutting of the canal.

http://www.franceslincoln.co.uk/en/C/0/Book/3419/The_Regent’s_Canal.html

Image: David Fathers, ‘The Regent’s Canal’, Frances Lincoln.

City residential church towers

Fancy living in an old church tower? The towers that have been converted into homes must surely be amongst some of London’s most unusual residential options. The City’s churches have taken quite a battering over the years – once numbering over a hundred, 35 were lost in the Great Fire of 1666, while many of those which were painstakingly rebuilt afterwards were again damaged or destroyed during the Blitz. In between these two catastrophic events, yet more were demolished from the late eighteenth century onwards. The towers of a number of these lost churches were saved and put to new uses – while the conversions into commercial premises are more obvious, some have also been turned into rather intriguing private residences.

Christchurch Greyfriairs on Newgate Street (above) was damaged in the Great Fire and rebuilt by Wren between 1684 and 1704, only to be destroyed during the Blitz. Luckily the tower survived and was restored in 1960, along with the urns that now grace it which had been removed in the nineteenth century. The area that was once part of the body of the church is now a garden, which has been planted to follow the lines of its original layout, pews and pillars. The rebuilt Vestry House adjoining the tower is now a dental practice, while the tower is indeed somebody’s home (with the rather flashy front door at the top of this post) - you can see their dining area from the garden.

No doubt visitors to Wood Street over the years have pondered exactly why there is a lone church tower standing in splendid isolation in what is now the middle of a traffic island (directly across from the police station, you can’t miss it!). St Alban Wood Street (pictured above and below) was also rebuilt by Wren after the Great Fire – sadly it was destroyed on a single night during the Blitz, 29th of December 1940. Wren’s gothic-style tower survived – a glance through its doors reveals an entry foyer (when the wooden doors aren’t locked) and old stairs leading to the residence above.

I’ve heard that the tower of St Mary Somerset on Upper Thames Street is also somebody’s home, but I’m not so sure. It looks pretty desolate and boarded up to me. Another church that Wren rebuilt after the devastating fire of 1666, St Mary’s was not a victim of the Blitz. Instead it was scheduled to be demolished in the nineteenth century as it was deemed no longer necessary due to low attendance rates. Fortunately someone recognised the beauty of Wren’s wonderfully intricate Baroque pinnacles (seen below) and the tower was saved. The good news is that there appears to be some work being done on it – so maybe there could be some vacancies coming up…

If you’d like to discover more about the City’s lost churches try Gordon Huelin’s book Vanished Churches of the City of London (available at the Guildhall Library for only £5), which lists 69 vanished churches in total.

St Mary Somerset

Christchurch Greyfriars

Written in Soap

When Londonist wrote about the soap sculpture in Cavendish Square last week I knew this was something I had to see for myself. Much like the structure featured in last week’s post, Paleys upon Pilers, Meekyoung Shin’s soap sculpture is a temporary addition to London’s streetscape, which is part art installation, part historical reference.

This soap scultpure of the Duke of Cumberland, which launched on 24 July, replaces the one originally installed in 1770 then removed in 1868 when the subject became increasingly unpopular. While the fate of the original statue is unknown, the stone plinth has stood empty ever since in the middle of Cavendish Square, just behind Oxford Circus.

While Shin’s work is indeed made of (vegetable-based) soaps it does include a metal skeletal armature attached to the base on which it stands to hold the sculpture upright. The piece was intended to be as close as possible to the original, based on existing sketches – although the exact dimensions remain unknown it was created to fit the proportions of the plinth. Intriguingly there are no signs in the square about its latest addition, so I can only guess that the casual visitor would assume it was an ordinary statue.

Shin’s work has much to say about the changeable nature of art, monuments and history – she is particularly interested in the way that history is drawn (and re-drawn and erased) on the urban landscape. The sculpture will remain in Cavendish Square for one year – and it’s anyone’s guess how it will endure the four seasons. I plan to revisit it over this time and will update you on how it is progressing.

http://www.writteninsoap.com/

Fulham Palace

You know that a residence is very old when it has ‘est 704′ in its logo. In fact, although the earliest written evidence for Fulham Palace dates from 704 it was acquired by a bishop around 700 and the site has evidence of occupation dating back much longer than that, with Neolithic, Iron Age and Roman artefacts uncovered here. Originally the country home for the Bishop of London, the Palace later became their main abode – the last bishop to live here was Bishop Stopford, who moved out in 1973.

Today Fulham Palace is open to the public and you can wander around a number of rooms at your leisure, including the Great Hall (circa 1495), which was re-panelled in the 19th century from recycled materials including an old communion rail. Or you can have lunch in the cafe that was once Bishop Howley’s Georgian drawing room. There is also a small museum covering the history of Fulham Palace. The moat (now dry) that encircles the property was once the longest domestic moat in England. Both the Palace and the grounds have been altered over the years by the different bishops in residence, who have left their various marks upon it.

Fulham Palace is understandably excited about recent happenings in its walled garden, originally landscaped in its current form by Bishop Terrick (1764-1777), although the Tudor entranceway (pictured below) signifies an older version. It is currently being restored and was re-opened to the public on the 27th of May. The restoration is still in progress, giving visitors the opportunity to see a partial ‘before’ picture. Bishop Blomfield’s knot garden – planted in the colours of his own coat of arms and replicating his original 1831 design – is complete and a new greenhouse has been built on the exact footprint of the original. Bee boles – holes along the outside of the walls once used to attract bees, not only for their honey but to pollinate the walled garden’s fruit trees – have just been uncovered after being bricked up for over a century.

I don’t know about you, but when I hear about an archaeological dig I tend to think about bones and dead bodies. However, the purpose of the archaeological dig currently taking place in the walled garden is to uncover remnants of previous garden design, so as to inform plans for the restoration. They are seeking hints and patterns of previous planting, formal beds, paths, statuary and the like. As well as a girl guide’s badge (from the days when lunches for guides where hosted here), they have also uncovered Victorian plant labels, children’s toys and buttons from the clothing worn by former gardeners. The dig has been a community one, with volunteers joining in from the local area and schools.

The dig has recently been extended until the 10th of August, so you’ve still got time to join in if you’re interested. Fulham Palace also offers historical walks and garden tours, check their website for details: http://www.fulhampalace.org/  These are £5 per person, but admission to the Palace and its grounds is free. The closest tube is Putney Bridge on the District line.