Orleans House Gallery

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If you’ve ever thought about visiting Twickenham’s Orleans House Gallery, now is a great time to go while it is hosting Arcadian Vistas: Richmond’s Landscape Gardens. Given that the English landscape garden movement was first nurtured here along the banks of the Thames, it’s hard to imagine a more fitting locale for this exhibition.

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Neatly divided into sections focusing on some of the more influential gardens, gardeners and garden designers of the movement – including Alexander Pope, Horace Walpole, William Kent, Kew Gardens and Chiswick House – the exhibition features mostly illustrations and paintings from the Richmond Borough Art Collections, nicely supplemented by some loans. A smaller collection of objects is also on show, including John Serles’ guide to Alexander Pope’s garden and grotto, alongside A Description of the Villa of Horace Walpole (describing nearby Strawberry Hill).

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Two large paintings depicting Arcadian Thames – Leonard Knyff’s A View of Hampton Court and Peter Tilleman’s The Thames at Twickenham – are also highlights. Don’t miss the gallery upstairs, where slightly more esoteric topics – follies, Chinoiserie, orangeries, water features and grottos – are featured, accompanied by some lovely examples of blue and white porcelain.

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Sadly, Orleans House’s beautiful Octagon Room, a few adjoining buildings and the Stable block out the back are all that remains of what was once an extensive estate built in the early eighteenth century for James Johnston, Secretary of State for Scotland. The Octagon Room was actually a later addition, designed by James Gibbs (who also designed St Martin-in-the-Fields church) as a separate garden entertainment space for Johnston. The house acquired its name after it was rented to Louis Philippe, Duc d’Orleans, during his exile from France.

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After passing through a number of hands, the main house was finally demolished in the 1920s by a firm of gravel merchants. They failed to find any gravel on the site. Today, Orleans House Gallery and its Octagon Room are worth a visit – their interesting program of exhibitions is free and open to the public on most afternoons except Mondays (check online here, as times vary throughout the year). Marble Hill House and Grotto are just next door, and Ham House is but a scenic ferry ride across the Thames.

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City views

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For the Londonphile’s Christmas special this year I will share with you some photos of our pretty city. These were the result of a super day out for bloggers organised by the good folks at the City of London. We lucky participants gained access to one of the turrets on Tower Bridge and down into its bascule chambers, and took a trip along the Thames at sunset in a London Port Authority Boat, amongst other treats.

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Tower Bridge’s turrets are located just above its walkways – and while the former are not accessible to the public the latter can be visited as part of the Tower Bridge Exhibition. We visited the northern turret, whose narrow ledges are accessed via a number of tiny doors on each side of the small room seen above. While the views are quite literally breathtaking, they are certainly not for the faint-hearted – the only barriers being the turret wall and an iron post in the crenel (the photo below gives you some idea of the set up). Given my former fear of heights these photos are nothing short of miraculous!

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While the views from Tower Bridge’s walkways are similar, I’d have to say that those from the turrets are superior, especially as they afford more side views from the bridge. However the good news is that your viewing pleasure will be vastly improved in 2014 with the addition of glass flooring in the walkways – something that IanVisits has written about in more detail here. This innovation will enable visitors to look down upon the bridge itself and to view the bridge lifts from above. Those less fond of heights will be relieved to hear that the entire floor will not be made of glass – there will be a narrow strip of glass flooring only, so that people can still walk across a non-transparent surface should they prefer.

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We were also taken down to visit Tower Bridge’s huge bascule chambers underneath the river bed – where the counterweights that balance the bridge swing down when the bascules are opened. I’ve written about these previously after taking one of the bridge’s excellent Engineering Tours. Tours for early next year are almost fully subscribed so you’ll need to be very quick to get on one of those – otherwise if you can get together a group of at least six people you can book a behind-the-scenes private tour of these subterranean areas for £29 per person.

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While there is no way for the public to organise outings on a London Port Authority Boat – from which the rest of these photographs were taken – I would highly recommend a trip on the Thames Clippers to those looking for a cheap and easy way to access London’s spectacular river views. The bridges are looking particularly special now at night with the coloured lighting. The clippers have an outside deck area from which you can take photographs, but you may want to avoid peak hour as people do use the service to commute.

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The Londonphile is on holiday until the second week of January – wishing you all a fabulous festive season!

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Eel Pie Island

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Just twice a year Twickenham’s Eel Pie Island opens its doors to the general public when the normally private island holds open studio weekends for its artists. I availed myself of the the opportunity to visit last weekend for the pre-Christmas opening and crossed the bridge to this most exclusive island, which boasts 26 artists’ studios, only 50 or so houses and around 120 residents.

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It’s thought that the island was originally in three parts and may have once been connected to Twickenham by a prehistoric causeway. The footbridge which now connects the island to the mainland was only built in 1957. Once across and on dry land again, one main walkway (pictured above) runs much of the length of this very narrow island, with houses, studios and boathouses along either side. Housing styles vary immensely – from the cute and rustic to the surprisingly modern – and there was even a new house in the process of construction and one to let in case you’re tempted to move in. Despite its extremely narrow nature, views were only available back across the Twickenham side of the river (see below) during the open studios as private houses line the other side.

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Eel Pie Island has a long history as a place of leisure and entertainment – its name derives from the pies once served there to visiting boating parties and day trippers. Sadly this taste sensation died out on the island along with its eel population. The Eel Pie Island Hotel was long a top musical destination – particularly for jazz and blues – and also saw one David Jones play there before metamorphosing into David Bowie. The hotel closed in 1967 when the owner was unable to afford necessary repairs – squatters moved in and it has been claimed that by 1970 it had become the largest hippie commune in the UK. The hotel burnt down in mysterious circumstances in 1971 while it was being demolished.

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The island is also home to both the Richmond Yacht Club and the Twickenham Rowing Club as well as working boatyards. In keeping with this boating theme, several of the artists studios are housed in old boats, including one with a fantastic roof terrace composed of the old ship’s deck. There are nature reserves at both ends of the island, including a bird sanctuary, but these are not accessible to the public.

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Open Studios events are held twice a year, generally once in summer and in the lead up to Christmas. Keep an eye on the Eel Pie Island Artists website for future events. They’re free but do bring some cash as the artists don’t have credit/debit card facilities.

For more historical detail and images see Twickenham Museum’s Eel Pie Island page.

2013 update: another open weekend will be held on Saturday 22nd & Sunday 23rd June from 11am until 6pm.

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Rotherhithe Tunnel cupolas

At similar points across the Thames in Wapping and Rotherhithe – like sentinels along the river – stand two rather mysterious identical circular red-brick structures. Surely many a passerby over the years has wondered exactly what these buildings are. They are in fact twin ventilation shafts – more romantically known as cupolas and sometimes referred to as the Rotherhithe Rotunda or Rotherhithe Tunnel Shafts – for the Rotherhithe Tunnel, which allows vehicles to travel under the river at this point between the north and south banks.

The cupolas were not built to deal with the noxious fumes produced by cars – as one could be forgiven for assuming – but with those produced by the horses that at the time of the tunnel’s construction were still very much the main form of transport. Likewise, the pathways along the edge of the tunnel itself were not designed for pedestrians but for the men who used to walk the length of the tunnel shovelling horse manure off the road – surely a contender for inclusion in The Worst Jobs in History TV series.

The Rotherhithe cupola in the foreground – you can just see its Wapping twin on the far left on the north bank.

The Rotherhithe Tunnel was constructed between 1904 and 1908 and both the tunnel and the cupolas were designed by the engineer Sir Maurice Fitzmaurice. Made from red brick and Portland stone, each contains a staircase down to the tunnel and four ventilation fans. Their surprisingly ornate iron grilles on the windows spell out the letters ‘LCC’ – for the former London County Council. The cupola on the Rotherhithe side is a little isolated and is fully fenced off with thick red metal bars.

The Wapping cupola is located in the King Edward VII Memorial Park and is more easily viewed as it is not hidden away behind bars. It is signposted as ‘Rotherhithe Tunnel Shaft 3′ – I’m only aware of the two shafts so please get in touch if you know the whereabouts of the other one! You can walk all the way around this cuploa, and enjoy the pretty twin entry doors on the north side (see detail above). Also located on this side is a ceramic and stone memorial erected by the LCC in 1922 to commemorate the sixteenth-century navigators whose voyages into the unknown started from this part of the Docklands.

Thames beachcombing

It’s amazing what you can find along the Thames. The Londonphile has been beachcombing around Rotherhithe and is developing quite a collection of blue and white china. The Thames foreshore is truly a treasure trove, and the best part is that it is constantly being refreshed as the tide washes in and out twice a day, both bringing with it new items and revealing new finds as the water rolls back. I collected the items above over just two short trips to the foreshore at Rotherhithe (along stretches near the Mayflower pub and Surrey Docks Farm respectively). Here are a few more photos of what I have found so far:

I particularly like the pattern on this one:

This one has almost – not quite – washed away; possibly it’s an older piece:

These pieces are tiny (around two centimetres) but come out well in a photograph (if I do say so myself):

But it’s not just about blue and white – here are some brown and cream items:

Clay pipes are also a popular find along the Thames. These can date as far back as the 16th century and were indeed used for smoking. Jane from Jane’s London makes jewellery out of clay pipes she finds along the Thames. Here are some pipe stems I found:

If you want to do your own spot of treasure-hunting you should check the tide times to determine when there will be a low tide – the lower the tide the better as more of the foreshore is exposed. BBC Weather has a webpage showing tide tables for London, which I think are easier to understand than the one published by the London Port Authority. I would also recommend some hardy gloves, wellies (or at least sensible shoes – the mud can be surprisingly thick) and a bag for finds. Just remember that while you can pick up anything from the surface (i.e. without any digging, scraping or lifting or rocks) without a licence, if you do find anything that may be of archaeological value this must be reported to the Portable Antiquities Scheme Finds Liaison Officer at the Museum of London on  020 7814 5733 or flo@museumoflondon.org.uk.

If you don’t feel like going it alone there are a number of groups that run organised walks or fossicking tours along the Thames. Thames Discovery and Thames Explorer Trust run a number of archaeology and beachcombing walks on various sites along the Thames. I wrote about Thames Discovery’s Rotherhithe Winter Walk earlier this year; the Thames Explorer Trust will hold a free Custom House Walk on Friday 22nd June 2012, 9:30am to 11:30am – there are currently seven places left so be quick! Keep an eye on Thames Discovery’s Events page as new walks are listed regularly. London Walks also hold Thames Mudlarking walks guided by an archaeologist. The Surrey Docks Farm holds irregular foraging sessions along their foreshore – there will be one this Sunday 10th June at midday – no booking is required and it’s free.

Book review: Thames Path in London

It seems fitting that the Londonphile’s first book review features two of my very favourite things: London (naturally) and the Thames. As many Londonphiles out there would undoubtedly be aware, there is already a guidebook that leads us down the Thames Path. But Phoebe Clapham’s new publication – Thames Path in London – is unique in that it focuses on the areas within London, starting at Hampton Court and taking us all the way downriver to Crayford Ness, on the Thames Path Extension. That’s 50 miles (or 80kms if you prefer) of good guidance!

Just like David Sharp’s Thames Path guide – published in the same series by Aurum Press – Clapham’s tome contains top notch Ordnance Survey maps. A yellow line is superimposed onto these maps to clearly demarcate the Thames Path (which as fellow Thames-lovers would know, can be surprisingly meandering in places). It is further designed for ease of use by having each of the eight sections that the path is divided into begin and end near a station. Practical tips on essentials such as eating and drinking are also provided at the start.

One of the best aspects of Thames Path in London is the semi-regular break-out sections featuring information on various historical sites, events and themes found along (or in) the Thames. These vary from the well-known (Tower Bridge and London Bridge) to more esoteric themes such as Arcadian Thames and the pleasure gardens of a bygone age. Not only are they interesting and well-researched but they serve to break up the constant direction-giving necessitated by such a guide. Clapham’s book is also interspersed with historical images – including illustrations, photographs and paintings – ensuring a publication that goes above and beyond the call of the average functional guide, and one which helps to bring to life the fascinating (and often lost) history found along the Thames.

Although the guide has no index – as is also the case with Sharp’s guide – the main map at the front shows how the full route is divided up into the eight sections, and the main areas included in each of these. It’s tricky writing a guide to a path that is found on both sides of the river for much of its duration. The guide gets around this by dividing the text up into the North Bank and South Bank according to colour (purple and green respectively, just so you know). Two substantial circular walks diverting off the path (in Richmond and Limehouse), written exclusively for this publication, are also included.

You will certainly be in safe hands following Clapham’s directions along what is the section of the Thames Path most densely packed with sights, history and, well, just about everything really. And as the publishers note, it will also come in handy for anyone attempting to follow the Jubilee flotilla on foot in June!

Thames Path in London, by Phoebe Clapham, will be published by Aurum Press this Thursday 24 May. RRP is £12.99, but thanks to Aurum I have one copy to give away to a lucky Londonphile follower out there.

WIN A COPY: Twitter followers can tweet me via @londonphile to enter; Facebook followers can add their name to the list I will create on www.facebook.com/thelondonphile. New followers are welcome to join in too! Competition closes 5pm Tuesday 29th May. A winner will be selected randomly and contacted directly.

The Leaning Tower of Rotherhithe

It stands in supreme isolation, alone along this little stretch of the river, like a mouth with but a single tooth. How many travellers along the Thames must have wondered about this funny, narrow little building in Rotherhithe? In fact, the Leaning Tower of Rotherhithe – as it is apparently known locally – was one of several buildings in the area owned by Braithwaite & Dean, a barge company. They were a lighterage firm – lighters being flat-bottomed barges – and their lightermen moved goods between ships and quays (not to be confused with watermen, who carried passengers). This building was their office – and already tilting back in those days – where lightermen would pull up in their boats to collect their wages.

Once this whole stretch of the riverside was covered with buildings, mostly related to shipping, with a few public houses thrown in for good measure. You can see a Museum of London photograph of the area (commissioned by the Port of London Authority as part of their ten-mile panoramic documentation of the river) from 1937 here. The buildings to the west of our leaning tower were purchased in 1939 by Bermondsey Council, who planned to demolish them to build a garden. The Blitz then finished off any work that they had begun to this end.

To the east of the building stood what has been described as ‘a once absurdly picturesque row of largely wooden tenements…seedy in the extreme but vibrantly populated in the 1950s by a bohemian set of artists and writers’. Lord Snowdon lived along this row in a former coal store and is said to have met with Princess Margaret here, as well as hosting celebrities such as Marlene Dietrich and Noel Coward (who entertained him on the piano in his studio flat). In around 1960 he lent his room to John Betjeman (as you do) when his house burnt down.

Betjeman described his time here as ‘the most restful few months I had ever spent in London’, during which he enjoyed the ‘tremendous view’, including that of ‘the wharves and Georgian brick buildings of Wapping’ across the way. He moved the bed to the river-side of the room, going ‘to sleep to the solacing sounds of water’. At low tide he would listen to the sound of the waves rippling over the pebbles below, and described how at high tide ‘after a tug had passed the water made a plopping sound right against my bedroom wall as thought I were in a ship’s hold’. Until the Thames Barrier was built this whole area was of course subject to the risk of flooding; Braithwaite & Dean’s offices were flooded in 1953.

The remains of Edward III’s manor house nearby.

Despite a campaign by both Betjeman and Snowdon, the rather romantic-sounding row of buildings to the east was also pulled down by the local council after being condemned as a health hazard during the 1960s. It’s not known exactly why this particular structure was allowed to remain. It is not of any particular architectural value, though perhaps it was its brickwork that saved it, as many of the other buildings were wooden so arguably less sound structures. The King’s Stairs Gardens were then created here, and contain the remains of what is thought to be King Edward III’s manor house, circa 1353, uncovered by a Museum of London dig in the 1980s. Braithwaite & Dean stayed on in the leaning tower until the early 1990s, and it is now a (very) private residence.

The house is located at the very end of Fulford Street (you can’t miss it!), roughly equidistant between Bermondsey tube station and Rotherhithe overground station. The photograph taken from across the river was shot (with a zoom lens) from Wapping’s Waterside Gardens.

Thames archaeology walks

Not content with being a river that has inspired artists and writers and other creative types across the ages, the Thames is also an amazing archaeological site – when the tide rolls back and allows its treasures to be revealed. In fact, at low tide it becomes London’s longest open-air archaeological site. As I am also a huge Thames-phile, doing a Thames archaeology walk has been on my to-do list for some time now, so last weekend I took the opportunity to go on the Thames Discovery Programme’s Rotherhithe Winter Walk.

Elliott Wragg led us on this ramble from Rotherhithe to Bermondsey – an area that was long associated with ships and ship building. And sure enough, we were immediately able to locate a number of nautical remnants, such as anchors, rudders, and ship timbers that have been re-used to form a slipway. Sadly, due to rapidly increasing erosion more and more of these items are being revealed – good for archaeology, not such a good portent for the environment.

Elliott also taught us how to ‘read’ the various areas along the river bed. When you look closely you realise that certain areas have a preponderance of say, glass, where there would have once been a glass foundry (or maybe just a pub!), or pieces of old leather and shoes where a shoe factory was based. You can also find a large number of bricks along the foreshore in this area that are actually the remains of bomb damage from the Second World War, when the dock areas were heavily hit.

Thames Discovery also have a Putney Winter Walk coming up on Saturday 11th February, which will explore the Putney foreshore (free but donations welcome). If a spot of mudlarking (i.e. hunting for treasures along the river bed) takes your fancy, you may prefer the Thames Explorer Trust’s Millennium Bridge Walks (suitable for families and £8 for adults, £5 children), where the hunt is on for pipes and pottery (dates are currently scheduled for March and April). Alternatively, London Walks run Thames Beachcombing sessions (also guided by an archaeologist), on weekends when the tide permits (dates are currently scheduled up until the end of April, places are £8).

The Thames foreshore was almost deserted apart from our group on this fine (but admittedly rather crisp!) winter morning. In the nineteenth century the Thames was London’s premiere playground, with people piling onto boats for cruises and parties. I think it’s time we re-claimed the Thames, so come summer let the river become your own walking trail, beach  - and archaeological site. In the meantime, there are always these walks to consider:

Putney Winter Walk:
http://www.thamesdiscovery.org/events/putney-winter-walk 

Millennium Bridge Walks:
http://www.thamesdiscovery.org/events/millennium-bridge-walks

London Walks Thames Beachcombing:
http://www.walks.com/London_Walks_Home/Thames_Beachcombing_/default.aspx#20695 

Behind-the-scenes Tower Bridge tour

Ever wanted to see behind-the-scenes at Tower Bridge – you know, all those things mere mortals normally never get to see – and learn about how it all works? If so, the new year has rung in a real treat for you, as the good people at the bridge are opening it up for special engineering tours in January and March 2012.

Visitors will be able to see normally restricted areas, such as the bridge control room, the huge bascule chambers underneath the river bed, and the machinery room where the hydraulics that power the lifting of the bridge are found. And one lucky person will win a competition to raise the bridge at a future date (me, please).

I’m advised that the January tours have already sold out, so be quick for the March dates, which will run every Saturday and Sunday throughout the month. The tours, which will also include the normally accessible areas of the bridge, last 1.5 hours and cost £30. To arrange you must email enquiries@towerbridge.org.uk, stating your name/s, full contact and address details and preferred dates.

The Londonphile is already booked in for the 4th March, so you’ll be hearing all about it after then…

http://www.towerbridge.org.uk/TBE/EN/NewsAndEvents/Engineering+Tour.htm

Drake’s steps

One of the things that never ceases to amaze me about London is the amount of significant historical sights that go completely uncelebrated. Call it an abundance of historical detritus if you like. An excellent example of this is Drake’s steps. Everyone knows the concept of a (gentle)man laying down his coat for a lady to walk across a puddle unhampered. Well this very concept originated at Drake’s steps – now just an uncommemorated set of steps leading to the Thames at Deptford.

Drake’s galleon, The Golden Hinde (a reconstruction of which you can now visit near London Bridge), was moored at Deptford when he received his knighthood in 1581. When Queen Elizabeth I visited to bestow the honour onboard, Sir Walter Raleigh placed his coat down at the top of these stairs to keep her feet dry, pretty much marking himself out for all time as the archetypal gentleman.

A small plaque commemorating the victualling yards in the area, well after Drake’s time, and another to Drake’s endeavours at sea is all that marks out this place. Sometimes the gates are left open – on my last visit they were held together with a flimsy piece of rope. You can find this uncelebrated corner of London’s history along the Thames in Deptford, just above Conroy’s Wharf. It’s nowhere near a tube – the closest would be Surrey Quays, a good twenty-minute walk – but you can take the 199 bus from Canada Water station to the third stop on Grove Street.